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WikiCards · Card list · Arts cards · Antonio Canova
Uncommon card · Arts
Antonio Canova, an Uncommon card
Antonio Canova was an Italian Neoclassical sculptor, famous for his marble sculptures.
- Rarity
- Uncommon
- Domain
- Arts
- ATK
- 73
- DEF
- 95
- Power
- 168
- Wikipedia reads a year
- 61,000
Power 168 (ATK + DEF): stronger than 85 % of WikiCards cards.
The facts on the card
The card carries these facts from its Wikipedia article.
- Often regarded as the greatest of the Neoclassical artists, his sculpture was inspired by the Baroque and the classical revival, and has been characterised as having avoided the melodramatics of the former, and the cold artificiality of the latter.
Why it is Uncommon
Rarity in WikiCards follows a year of Wikipedia page views: the most read articles become Epic and Legendary cards. The Antonio Canova article was read about 61,000 times in a year. ATK comes from the length of the article and DEF from its quality, so this card hits with 73 and blocks with 95: each hit it takes is cut by 38 %.
How to get Antonio Canova
Open packs. Each pack holds five cards drawn from real Wikipedia articles, the rarest last, and the fifth card is always Rare or better. The odds are shown in the game. A free pack arrives every hour and two can wait, and the Coins you win in duels buy more packs.
More Arts cards
Cards close in power
The cards just above and just below Antonio Canova in the power ranking, all domains together.
- TytonidaeUncommon · Nature · ATK 77 DEF 91
- History of ArmeniaUncommon · History · ATK 90 DEF 78
- NyingmaUncommon · Society · ATK 77 DEF 91
- George PérezUncommon · Arts · ATK 80 DEF 88
- Æthelberht of KentUncommon · History · ATK 74 DEF 94
- Humayun AhmedUncommon · Arts · ATK 78 DEF 90
Card lists
- Wikipedia quizNew questions every day
- All cards from A to ZEvery card, by name
- Arts cards
- Legendary cards
- Tier listS and A tiers by power (ATK + DEF)
Credits
Text : Wikipedia, Antonio Canova (revision), CC BY-SA 4.0. Photo : Antonio Canova, Public domain, Wikimedia Commons.
